On period, that is definitely not unusual to see guitarists, and even bassists using floor-based outcomes pedals in order to manipulate their sound to match their instrumental performance with what they notice in their heads. Wah-wah pedals, distortion pedals, and even complicated effects processors which allow for digital audio tracks looping and pre-programmed effects are fairly very common in a guitar world.
On the other hand, what is obviously unusual is to see a vocalist using the same type of equipment to enhance their vocal performance. While in the studio, it is common for singers to use a variety of audio tracks equipment in order to add to their vocal tracks, this does not often translate to the stage, especially not by using a method that the singer can control in real time.
Many different studio effects can be replicated with vocal floor processors. This kind of equipment is meant to lie smooth on the stage floor, like a guitar processor, and allow the vocalist to use their feet to alter the types of vocal effects that can be applied. There are numerous effects available in these devices which can help a singer re-create the same performance which was captured in a studio recording. Multi-voice harmony will take a singer's voice and then electronically clone it in order to instantly create several harmony parts in tune with the current vocal. Additionally, it may allow a second vocalist to incorporate multiple harmony elements to the lead singer's performance using their voice instead. Double-tracking, in which a singer includes several different takes of a vocal track into a layered version of the lead vocal, may also be accomplished with this type of processor. This can add a richer, fuller sound to the singer's voice, allowing him or her to lessen their own quantity and preserve their expressive cords for repeat activities.
Of course, it's not merely vocal-specific Review processors effects which can be locked up inside these kind of devices. The standard effects accessible to guitarists or other musicians may also be utilized by singers. Reverb and delay are a pair of the most popular typical effects in regards to vocal singing, and both can be employed in order to improve the drama or poignancy of a vocal track. Regarding singers who are enthusiastic about exploring the more extreme side of effects digesting, distortions and phaser results can transform the human tone of voice into something almost distorted. A special foot-pedal allows vocalists to roll effects on and off in order to organically combine them into the overall sound they are seeking to achieve.
Some vocalists do not feel comfortable controlling this type of kit during a show, and they choose to leave their vocal processing in the hands of the audio engineers who are blending the concert. For higher-budget productions who can pay for personnel to track dedicated sound cues, rack-mounted types of vocal processing equipment are in the same way useful for getting the most out of a singer's voice. Rack mount equipment is a little more fragile than floor processors, but it also usually has more options and more power packed inside its casing.