I do believe an improved way to fix the hum issue is to obtain a reverse hurt reverse polarity (rwrp) center collection (Fender Custom Shop Fat 50's have a rwrp middle pickup). This way, when you yourself have a Stratocaster, as an example, you can have simple coil tone in jobs 1, 3 and 5, but you will have no sound in jobs 2 and 4. Instead, when you have a Les Henry, you can get humbuckers that allow you to split the coils, so you may change each humbucker to an individual coil with the switch of a transition (Seymour Duncan JB Product humbuckers have four conductor brings, therefore you can use them with a coil splitting switch). In any event, you will get the best of both worlds.
As for the copper cable, "overwound" pickups tend to sound louder and have more midrange and bass; pickups with less windings often noise smoother and brighter. One of the causes humbuckers noise the direction they do is basically because it requires more cable to put the 2 coils. The depth of the wiring and the sort of padding that's used are additional factors that affect the sound (e.g. Fender's early Strat pickups had Formvar padding instead of enamel; insulating them this way offered them a sharper tone). Nowadays most humbuckers are also polish potted so they will not squeal at large get, but the polish potting affects the understanding a little too (Gibson's modern Burstbucker pickups and Seymour Duncan's Seth Fans test to replicate the sharper tone of early humbuckers by eliminating the feel potting).
Yet another thing to think about with single coils is the way the construction can affect the way the collection reacts to electrical interference. You may love the way in which a big, fat single coil just like a Gibson p90 seems, but it's also possible to discover the additional wiring which makes the collection sound so excellent helps it be hum louder too. So there's a trade down if you want that noise (more cable = higher, fatter noise = more hum). Another main element in deciding the tone of an electric guitar may be the strings. Guitar strings are constructed with dime and steel. The more dime, the hotter the noise; the more material, the brighter and louder the strings sound. Also, the larger the strings the more volume they'll produce. This is exactly why some players like to use large strings; they've more tone. If you take to them and find they're too much to enjoy, you can always song down a half step or maybe more to compensate best-wi-fi-speakers-review .
Bear in mind although the nickel is only on the wound strings. The thinner, higher message strings are all steel. Also, with the wound strings, it's not just the dime content that establishes the tone, it is also the design of the windings. Roundwound strings are lighter, but flatwound strings have much more bass result, and so- called "rollerwound" strings, like GHS common "Nickel Rockers," have a tone that is anywhere among the 2 (i.e. they noise deeper than roundwounds).